When we were editing the Watchsong film, Shane McMullin showed me a compilation video of stunning time-lapse photography shot by Christian Mülhauser in Madeira. “It would be cool if we could get something like this for your video,” says Shane. “You might try just asking if you could use it…it’s worth a shot.” To my great surprise and delight, Christian responded to my request and graciously let us use some footage for the video. Madeira is absolutely breathtaking and wonderfully complimented by the score from Jonathan Greer. To see more of Christian’s film work, check out his website. And enjoy the film below!
Why should Christian artists and musicians continue to create new content? What motivates them to create? Why do Christians need new music? Why do you need Watchsong?
I wanted to find a creative way to share the vision and mission of my website, Watchsong.com, as well as encourage Christian artists that they are vitally important. That’s where this short film comes in.
Over the next few weeks, I’ll be posting some more in-depth commentary about the film and some of the themes it presents. But first, I need to give credit to several people who made this film possible.
The “MVP award” goes to my friend Shane McMullin at NINTH HOUR Productions for bringing this project to life with such amazing skill and creativity and for the hours and hours he spent shooting, cutting, and editing this film. He also had to put up with me and all the crazy ideas I had, most of which he magically made happen.
Special thanks to: Christian Mülhauser (chrigu.org), who graciously let me use a few short clips from his stunning film Madeira; Doug Young (dougyoungstudios.com), my good friend, who let us shoot in his very unique studio space; and Fred Coleman, my pastor, mentor, and friend, who helped me think through the historical data and has always encouraged me in my writing.
Thanks also to: my friends, James Harris, Brian Pinner, Chris Barney, and Ben Fetterolf, who proofread my script and were very encouraging in this project; Ken Beale, who lent us his skill and expertise for an entire day in the mid-July heat working cameras and lighting for a Snickers bar and a verbal IOU; and my wife Heather, who also braved the heat to assist us and made sure you couldn’t tell how hot it was when you watch the film.
The end credits song is A Broken Vessel from Watchsong Music. You can find a lead sheet, lyrics, and an mp3 demo on the Music page. A full recording will be available soon on Watchsong.com.